1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.  Related Paintings of Jean Marc Nattier :. | Madame Victoire of France | dite autrfois Madame de France | La comtesse Tessin | Mademoiselle de Lanbesc as Minerva,Arming Her Brother the Comte de Brionne and Directing Him to the Arts of War (mk05) | Portrait of Peter I of Russia |
Related Artists:
Paul Nash
British 1889-1946 Paul Nash Location Painter and graphic artist. Wounded during the 1914-18 war, he was appointed an official war artist and examples of his work from this time, We are Making a New World and The Menin Road, are in the Imperial War Museum. Essentially a landscape artist, who saw himself as a successor to Blake and Turner, his work was imbued with deep, sometimes prophetic symbolism. In the Second World War, he was again an official war artist; his Totes Meer (Dead Sea) and Bomber in the Corn hang in the Tate Gallery.
Petrov-Vodkin, Kozma
Russian Painter, 1878-1939
August Ludwig Erhard Boll
painted Blick auf den Genfer See in 1852